Friday, April 24, 2009

Fri. 4/24/09 - Holocaust Day One



Image courtesy of:
http://www.rschindler.com/usholocaustmemorial.jpg

Today we:
1. Finished poetry performances
2. Ms. Owens read "Riddle" by William Heyen

If you were absent, check it out online and write a short reflection of your first reactions to the poem.
http://kitkat211.blogspot.com/2008/03/riddle-by-william-heyen-along-with.html

3. We reflected on what we already know/have learned about the Holocaust. If you were absent, get the blue "Customs: Holocaust" sheet from the binder and fill it out.

4. We took notes on the history of WWI and WWII. If you were absent, get notes from a classmate next class. We will be having an open-note quiz on the lecture and the reading homework on Tuesday.

Homework:
#1-3 OR #4-6 questions (one paragraph per answer written NEATLY or typed) for the reading "Master Race" due Tuesday.
If you were absent, get the reading from the binder - due Thurs.

Monday, April 20, 2009

Welcome to the Poetry Cafe! 4/20 - 4/22



Poetry presentations begin today.

Please make sure to sign up for your spot. # 1 - 5 = extra credit! : )

We'll finish any we don't get to on Wed. 4/22.

Your zine is due on Wed. I'm thrilled to see your creations!

Friday, April 17, 2009

Thurs. 4/16 0 Poetry Cafe NEXT CLASS! :)




POETRY CAFE IS MONDAY.
HELPFUL DOCS ARE PASTED BELOW, including:

1. "What to Bring" List
2. Poem Analysis Peer Editing Sheet
3. Presentation Poem Analysis Poetry Unit - Grading Rubric
4. Poetry Café: Poetry Reading Scoring Rubric
5. Speaking Scoring/Feedback Form (State Assessment)
6. Poetry Buddy!
7. A Sample Poem Analysis - you can find the original poem on www.poetryoutloud.org
8. Poetry Zine instructions (again)

I'm looking forward to a Powerful, perfect, profound Poetry Cafe!

Homework:
Poetry Zine due Wed. 4/22. Details below.

*******************************************

Poetry Café - 165 points Name __________________
“What to Bring” List
 This list. Students will receive extra credit for having ALL of the following ready to
turn in the minute class begins.
 Clean, unmarked copy of poem – decorate the edges if you want ☺ - 10 pts.
 3” x 5” note card for your speech – with phrases only, not whole sentences – 10 pts.
 Poetry Café Rubric (with Poetry Café: Poetry Reading Scoring Rubric on the
front and the Speaking Scoring/Feedback Form on the back) – 5 pts.
 Your poem analysis packet, stapled in this order:
 1. Analysis rubric – 5 points
 2. Typed final draft of analysis of your presentation poem – 25 points
 3. Poetry Buddy – 10 points
 4. Peer Editing on speaking and analysis – 10 points
 5. Presentation poem with notes on form, sound, meaning AND tone. – 10 pts.

Remember, during the poetry café, you will:
1. Introduce your poem: including Title, Author, and appropriate Context (author’s life and important world events) – 10 pts.
2. Read your poem: you’ll be scored using the “Poetry Reading Scoring Rubric” – 30 pts.
3. Present your speech of your analysis of your poem. You may use a 3” x 5” note card with phrases (not whole sentences); you’ll be scored using the Speaking Scoring/Feedback Form according to the state graduation requirements. – 40 pts.
4. Turn in your written poem analysis packet. – 60 pts.

*******************************************
Poem Analysis Peer Editing Name of Editor: _____________________________________

Name of Presenter: ___________________________________

1. Conclusion about the main message of the poem _____/4
Restate

2. Includes analysis of form, sound, and meaning _____/6
Summarize:


3. Includes one example of each: form, sound and meaning to support analysis _____/6
Restate examples
Form –


Sound –


Meaning -


4. Explains how each example relates to the message of the poem _____/6
Summarize for each

Form –


Sound –


Meaning -


*******************************************

Global Literature Presentation Poem Analysis Poetry Unit Grading Rubric 35 points

Using the techniques for how to read a poem that we have been practicing, analyze the poem you’ve chosen to present to the class.

Make sure that on the poem itself, you have marked for the following elements:
1. Title: write literal and deeper meanings of the title.
2. After first read: Mark words and phrases you don’t know with definitions, and an educated guess about the meaning of the confusing phrases
3. After second read: On a separate sheet of paper, summarize the literal meaning of the poem in four sentences or less.
4. After third read: Mark words, phrases and images that hint at the deeper meaning in the poem and write in what you think they might be hinting at.
5. Comment on the mood or tone of the poem- and where that mood or tone changes
6. Now take different colored pencils and mark the poem for the following (giving me a key of what each color stand for): alliteration, sibilance, assonance, rhyme, similes, metaphors, symbols and other figurative language.
Then add comments on what you think patterns of these poetic devices does for the greater understanding of the poem (use your poetry handout to help with this).
7. Once your poem is all marked up, go back to your poem and read it one last time. See if there are any other questions or answers that come up for you in this final read and mark them down on the poem.
8. Figure out what at least two main themes in the poem are, and jot them down on the poem.

Finally, on a separate sheet of paper, typed your analysis that tells:
• What you think the main message of the poem is,
• How do the form, sound, and meaning help create the message?
• One specific example of form, sound and meaning that are related to the message
• An overall conclusion about the poem that wraps everything up

Scoring Guide:

Poem marked for all elements described in steps 1-8, above _____/10
Conclusion about the main message of the poem _____/4
Includes analysis of form, sound, and meaning _____/6
Includes one example of each: form, sound and meaning to support analysis _____/6
Explains how each example relates to the message of the poem _____/6
Length, formatting (at least one full paragraph, typed, double-spaced) _____/3

Total _____/35

*******************************************

Poetry Café

The poetry café is designed to allow you an opportunity to complete multiple goals and objectives: 1. share your love of poetry; 2. meet the state requirements for rehearsed informative speaking and 3. have fun!
During the café you will:
1. Introduce your poem, including Title, Author, and appropriate Context (author’s life and important World events) – 10 pts.
2. Read your poem (we’ll use the document camera to project a copy of the poem); you’ll be assessed according to the “Poetry Out Loud Scoring Rubric” – 30 pts.
3. Present your speech of your analysis of your poem. You may use a 3” x 5” note card with phrases (not whole sentences); you’ll be assessed according to the state graduation requirements. – 40 pts.
4. Turn in your written poem analysis with marked up poem – 35 pts.

Poetry Café: Poetry Reading Scoring Rubric

Name _____________________________________ Date ______________________________
Assignment Poetry Café: Poetry Reading Class Global Literature: 9th grade_____
Total Score _______/30

Very Weak - 19
Weak - 21
Average - 23
Good - 25
Excellent - 27
Outstanding - 30


Physical Presence
Poor eye contact; stiff demeanor; nervous
Timid; unsure; poor posture
At times unsure, at times confident
Poised, good eye contact and posture
Confident and relaxed; posture and eye contact show commanding stage presence
Authoritative; posture and eye contact show compelling stage presence

Voice and Articulation
Inaudible; slow; distracting rhythm; singsong; hurried; mispronun-ciations
Audible, but quiet; too loud; monotone; paced unevenly; affected tone
Clear, sufficient tone, natural pacing
Very clear, appropriate inflection, good pacing
Very clear, crisp, well-paced, appropriate volume
Very clear, mastery of rhythm and pace, appropriate volume

Appropriateness of Dramatization
Significant distracting gestures, inflections or accents; acting out poem; too much movement
Some distracting gestures; distracting vocal inflections & accents
Minimal distracting gestures or distracting voice inflection
Only gestures that enhance interpretation; embodies poem
Well embodies poem; gestures illuminate poem’s meaning
Best embodies poem; gestures deftly reveal poem’s meaning

Evidence of Understanding
Obscures meaning of poem
Doesn’t sufficiently communicate meaning of poem
Satisfactorily communicates meaning of poem
Well communicates meaning of poem
Interprets poem very well for audience; nuanced
Supremely interprets poem for audience

Overall Performance
Very weak performance; does disservice to poem
Weak performance; does disservice to poem
Sufficient performance, nothing notable
Successful, enjoyable performance
Very strong, compelling performance
Captivating performance—whole equals “more than the sum of the parts”


*******************************************
Speaking Scoring/Feedback Form

Name _____________________________________ Date __________________________

Assignment Poetry Café: Poetry Analysis Class Global Literature: 9th grade

Circle all that apply: Rehearsed Persuasive, Rehearsed Informative, Unrehearsed

Qualities described on the scoring form are those a student needs to demonstrate to meet the standards. They are keyed to score point 4 on the official state.

Ideas and Content
The Speaker:
* Has a clear main idea and purpose
* Has details that go with the topic, but which may not be consistent or strong
* Is successful in adapting the information to the audience and purpose
Score: 1 2 3 4 5

Organization
The Speaker:
* Has a beginning that lends the audience to the main idea but may not get the listener’s attention.
* Organizes so that thoughts are easy to follow.
* Uses some transitions during the speech.
* Uses some details that fit and explain the main ideas.
* Has a complete conclusion which may lack polish.
Score: 1 2 3 4 5

Language
The Speaker:
* Uses words that communicate the speaker’s message, but may not paint a picture in the listener’s mind.
* May use slang or language in a way that does not take away from the message
* Has a few mistakes in the use of words and grammar which are not distracting.
Score: 1 2 3 4 5

Delivery
The Speaker:
* Makes frequent eye contact with the audience; sometimes looks at notes, speaks clearly and correctly; some mistakes expected.
* Has a rate and volume that are satisfactory.
* Has a delivery that is usually smooth; some breaks or pauses that do not hurt the message.
* May use gestures to help explain the message.
Score: 1 2 3 4 5

Performance Level Key: Used to identify a student’s performance level in relation to the qualities above.
6 Exemplary: Exceeds standard; work is exceptional, distinctive, unusually sophisticated.
5 Strong: Exceeds standard; work shows a thorough and effective application of knowledge and skills.
4 Proficient: Meets standard; work demonstrates application of essential knowledge and skills.
3 Developing: Does not yet meet standard; work shows basic, but incomplete application of knowledge and skills.
2 Emerging: work does not meet standard; shows partial application of knowledge and skills.
1 Beginning: Minimal understanding; work shows little application of knowledge and skills, many errors or omissions.

Overall this task: ____________Exceeds Standards
____________Meets Standard
____________Does Not Meet Standard

*****************************************
Your Personal Poetry Buddy! Name:_____________________________

Title/author: __________________________________________________

Main Message in one sentence: _______________________________________________
______________________________________________________________________

Meaning (How do the following help create the message?)
• Subject – what the poem is about (unicorns? a road? toenails?)
• Plot – what happens (they fly? it twists? they get pained purple?)
• Figurative language - metaphors, similes, symbols (my love is a unicorn, galloping with happiness; the unicorn that tramples the flowers is a symbol of how silliness can ruin something…, etc.?)

Subject: ________________________________________________________________

Plot: ___________________________________________________________________
______________________________________________________________________
______________________________________________________________________
____________________________________________________________________________________________________________________________________________

Figurative language: _______________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________

Wrap it all up. What do these have to do with the meaning? Choose the strongest evidence and provide a quote.
________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

Form (How does the form back your conclusions about the meaning? Poetry buddy says, “use fancy words like ‘stanza’ and ‘verse.’”)
• Name of form and rules (sonnet, free verse, etc.?)
• Organization – how stanzas are divided (#1 = setting, #2 = action, etc.?)
• Look - how the poem looks – placement of words (words set apart? etc.)

Name of form and its rules: __________________________________________________
______________________________________________________________________
______________________________________________________________________

Organization: ____________________________________________________________
______________________________________________________________________
______________________________________________________________________
____________________________________________________________________________________________________________________________________________

Look: __________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________

Wrap it all up. What do these have to do with the meaning? Choose the strongest evidence and provide a quote.
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________

Sound (How does the way the poem sounds back your conclusions about the meaning?)
 Devices: alliteration, assonance, onomatopoeia, silibance, rhyme, rhyme scheme, meter)
 Tone (look at vocabulary, shifts, contrasting images might mean irony, etc.)
 Mood (do the rhyme scheme and meter match the subject/what’s going on?)

Devices that contribute to the meaning: _________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________

Tone: __________________________________________________________________
______________________________________________________________________
____________________________________________________________________________________________________________________________________________

Mood: ____________________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________

Restate the main message: ___________________________________________________
__________________________________________________________________________________________________________________________________________________________________________________________________________________


*************************
Sample Poem Analysis

The main message of the poem, “A Satirical Elegy on the Death of a Late Famous General” by Jonathan Swift is that death comes to all people eventually, regardless of how mighty one may seem during life.

Swift is specifically talking about a war hero who, though he was “honor[ed] in his day,” is laid to rest without recognition. Swift arrives at his message by using a sarcastic, challenging, and questioning tone throughout. For example he begins, “His Grace! Impossible? What dead?” as if saying it is impossible for so mighty a man to die. Later, the reader is sure the tone is sarcastic when the speaker says, “’Twas time in conscience he should die/This world he cumbered long enough.” When he speaks of the general’s funeral, he notices “nor widow’s sighs, nor orphan’s tears,” which shows that even the general’s loved ones do not appear sad that he is gone.

The form of the poem drives home the message. The poem consists of one long stanza and a second, much shorter, concluding stanza. In the first stanza, the poet portrays the speaker’s reaction to the general’s death, using a very sarcastic tone. In the second stanza, the speaker’s tone is very different, as he directly addresses people who work for kings. Swift writes, “Come hither, all ye empty things,/Ye bubbles raised by breath of kings;/Who float upon the tide of state,/Come hither, and behold your fate.” The tone of this second stanza is falsely inviting, and conveys a clear moral, which broadens the message to include not just this one general, but all those who act on the warring impulses of their leaders.

The poem has a sing-song quality which, coupled with the concluding moral, makes it sound like a storybook tale, or a fable. The regular rhyme scheme (AABBCCDD…) contributes to this effect, while the irregular rhythm makes it feel more conversational, at times. For example, the rhythm alternates between unstressed and stressed in the lines, “And could that mighty warrior fall?/And so inglorious after all!” Then, in the next lines it becomes irregular, as the speaker takes a more conversational tone: “Well, since he’s gone, no matter how,/The last loud trump must wake him now.” In the first stanza, use of words like “old age,” “sleep,” “newspapers,” snuff,” “hearse,” and “stink” remind the reader of the common human occurrence of death, which is contrasted with the use of words such as “hither,” “ye,” behold,” “rebuke,” and “Duke” in the second stanza. The reader is reminded of the separation between the Kingly “court” and the common man. The use of these words also contributes to the feeling that a moral is being delivered at the end of the poem.

The reader is left with the feeling that even those who appear to be of high status, and especially those whose status lets them get away with immoral actions, will eventually die or, as stated by the poet in the final line, return “to that dirt from whence he sprung.”


*********************************************
Global Literature Name_________________________
Poetry Zine 60 points

As part of your work in our poetry unit, you will explore poetic forms experientially. In other words, you will write a series of original poems, which you will then publish in your own zine. Your zine will include five poems:

1. South Africa Final Project poem and reflection
2, 3. Two poems written by you about topics/issues you feel passionately about (ideas: death, love, your favorite sport, an important/difficult event in your life, etc.)
4. Your Presentation Poem (with MLA citation) and Analysis
5. Another poem by a published poet (with MLA citation) with reflection

Requirements: Because this assignment is also designed to further our formal study of poetry, I will ask you to follow these guidelines:
1. Length requirement: 10 lines minimum for each poem. Vary the lengths, and experiment with different forms (sign up for a “Forms Packet” if you want one for inspiration.)

2. Use poetic devices such as alliteration, assonance, meter/rhythm, onomatopoeia, metaphor/simile, etc. Use your poetry terms page as a reminder of how to use these. IN the table of contents, you will name the techniques you used and describe why (how do the techniques amplify your message, your imagery, or affect it in some other way?).

3. Among your five poems, you must have one of each of the following forms/techniques:
-one poem written in free verse -one poem with a set rhyme scheme
-one poem rich in imagery -one poem that uses symbolism

After you have written your poetry, you will publish it in zine form. (A zine is a small volume of self-published work, with a small circulation.) Your zine will include:

• Cover: a graphically-interesting cover with an original title
• Page 1: a title page with a creative title and publisher name (you!)
• Page 2: a copyright notice (ie.© 2009 Josephine Jones)
• Page 3: a table of contents that lists poems and the techniques used in each (see example on back of this sheet)
• Pages 4-?: poems (one per page, unless they are especially long or short)
• Back cover with a picture of you and a brief anthologist biography.

Your zine may be word-processed, or carefully hand-written and then photocopied. You are encouraged to include illustrations and/or designs. (Think about printing some extra copies of your book—your parents, aunts, uncles, grandparents would be pleased to get a copy!)

Scoring Guide:
Contains 5 poems 2 reflections, and 1 analysis – as specified above _____/15
Strong use and explanation of poetic devices _____/10
Contains one each of the specified forms/techniques (free verse, imagery, etc.) _____/10
Contains a graphically-interesting cover with an original title _____/10
Contains a title page, copyright notice, a table of contents, and bio/photo _____/10
General appearance, effort, creativity _____/5


Sample Table of Contents:

Table of Contents

1. South Africa Final Project Poem “Transformation”…...……..1

2. South Africa Final Project Poem Reflection …………....……..2

3. “I Believe In…”…………………………………………………..4
This poem uses a symbol—the honeybee—and also repetition, alliteration and ABAB rhyme scheme. These techniques enhance the message that work should be a labor of love. The honeybee is a popular symbol for work; the alliteration using the letter “l” creates the light, loving tone when the poem addresses the idea of work, and the rhyme scheme creates a playful reading, which helps create the idea that work done lovingly can and should be fun!
Etc.


Checklist: In my Zine, do I have…. ____ South Africa Final Project poem
____ South Africa Final Project reflection
____ Two poems about topics/issues of my choice
____ Presentation Poem
____ Presentation Poem Analysis
____ Published Poet Poem
____ Published Poet Poem Reflection

Among the above poems, do I have…
____ One poem one poem written in free verse -
____ One poem with a set rhyme scheme
____ One poem rich in imagery (senses: taste, touch, smell, etc. OR natural images) ____ One poem that uses symbolism (an object that stands for a larger idea, issue, etc.)

Which poetic devices have I used? ____ alliteration ____ assonance ____ rhyme ____ metaphor ____ meter/rhythm ____ onomatopoeia ____ repetition ____ simile

Publishing: Do I have… ____ Cover with graphically interesting image and title
____ Title page with author name and title
____ Copywrite notice
____ Table of contents listing form, title, and poetic techniques
used & why
____ One poem per page, neatly and creatively presented
____ Back cover with my photo and biography

Friday, April 3, 2009

Fri 4/3

Fri. 4/3
Due Today:
Soweto Road #1-9 (mark up)
Intro to: Deadlines, Zines and Final Project Poem

Passed out Unit Plan with deadlines and homework for Poetry Unit. (below)
Passed out Zine description (below)
Passed out Soweto Rd. paragraph instructions (not available electronically - see binder for extras).

Intro to poetry analysis.

Review of Soweto Rd.

Intro to Sound and Form

Sound and Form in “Soweto Rd.” - more next class

Homework –
1. Soweto Road Analysis paragraph – due Tues. 4/7
(instructions not available electronically - see binder for extras)

2. Bring a poem by a European Poet (poetryoutloud.org -- ?)
Due Tues. 4/7

3. South Africa Final Project Poem and Reflection due Thurs. 4/9
(instructions not available electronically - see binder for extras)


**************************
Poetry Unit Plan
9th grade
Global Literature
2008-09
Owens

*** THIS PLAN IS SUBJECT TO CHANGE ***

Please refer to the class web log for any available electronic versions of assignments, handouts, etc.

www.owensihsgl0809.
blogspot.com Wed. 4/1
Due Today
1. This I Believe essay packet with:
a. Green grading rubric
b. Final Draft
c. Draft #2
d. Draft #1
e. Outlining/Brainstorming Sheet

Elizabeth Spaulding visit: TRC and retributive justice in the Eugene.

Start poetry – preassessment (review of terms), poetry and the end of apartheid: “U2’s Silver and Gold”.

Handout: Poetry 101

Homework:
1. Soweto Rd. mark up (#1-9) Due Fri. 4/3

2. Soweto Road paragraph – due Tues. 4/7
Fri. 4/3
Due Today:
Soweto Road #1-9 (mark up)
Intro to: Deadlines, Zines and Final Project Poem

Intro poetry analysis.

Review of Soweto Rd.

Intro to Sound and Form

Sound and Form in “Soweto Rd.”

Time to work on SA poem

Homework –
1. Soweto Road Analysis paragraph – due Tues. 4/7

2. Bring a poem by a European Poet (poetryoutloud.org -- ?)
Due Tues. 4/7

3. South Africa Final Project Poem and Reflection due Thurs. 4/9 Tues. 4/7
Due Today:

1. Soweto Road paragraph – due

2. European poet poem due

Review of analysis paragraphs

Time to peruse poems/work on South Africa Final Project Poem/ Zine Poem #2

Homework:
1. Choose your poem by start of class Thurs. 4/9 (we’ll spend class time on 4/7 checking out poems)
2. Poem mark up (#1-9) due Thurs. 4/9
3. Author and context info due Thurs. 4/9
3. PRESENTATION COPY (Electronic OR printed for doc. Camera) due Thurs. 4/9 Thurs. 4/9
Due Today:
1. Presentation Poem chosen & marked up (#1-9)
2. Author info and context
2. South Africa Final Project Poem and Reflection due Thurs. 4/9

Review speaking requirements

Grading for reading poem.

Grading for analysis speech

Time to practice: speaking – mark up for TONE

Get help on analysis

Homework:
1. Practice reading.
2. Rough Draft of analysis typed due Tues. 4/14
3. Zine Poem #2 due 4/14


Tues. 4/14
Due Today:
1. Rough draft of analysis
2. Poem #1 for zine

Practice Reading and speech.

Peer evaluations – Reading, Speech and Analysis

Get help on analysis

Homework:
1. Final draft of analysis due Thurs. 4/16
2. Poem #3 for zine due Thurs. 4/16
3. Practice Reading and Speech Thurs. 4/16
Due Today
1.Final draft of analysis
2.Poem #3 for zine

Practice Reading and speech.

Peer evaluations – Reading, Speech and Analysis


Homework:

BE READY FOR POETRY CAFÉ ON MONDAY! ☺
Mon. 4/20
Due Today:
Be ready for your reading and speech!
Poetry Café
* Poetry Reading
* Prepared Speech
Homework –
1. Finish Zine – due 4/22 Wed. 4/22
Due Today:
Zine

Start Holocaust

Homework: TBA

*********************************

Global Literature Name_________________________
Poetry Zine 70 points

As part of your work in our poetry unit, you will explore poetic forms experientially. In other words, you will write a series of original poems, which you will then publish in your own zine. Your zine will include five poems:
1. South Africa Final Project poem and reflection
2, 3. Two poems written by you about topics/issues you feel passionately about (ideas: death, love, your favorite sport, an important/difficult event in your life, etc.)
4. Your Presentation Poem (with MLA citation) and Analysis
5. Another poem by a published poet (with MLA citation) with reflection

Requirements: Because this assignment is also designed to further our formal study of poetry, I will ask you to follow these guidelines:
1. Length requirement: 10 lines minimum for each poem. Vary the lengths, and experiment with different forms (sign up for a “Forms Packet” if you want one for inspiration.)
2. Use poetic devices such as alliteration, assonance, meter/rhythm, onomatopoeia, metaphor/simile, etc. Use your poetry terms page as a reminder of how to use these. IN the table of contents, you will name the techniques you used and describe why (how do the techniques amplify your message, your imagery, or affect it in some other way?).
3. Among your five poems, you must have one of each of the following forms/techniques:
-one poem written in free verse -one poem with a set rhyme scheme
-one poem rich in imagery -one poem that uses symbolism

After you have written your poetry, you will publish it in zine form. (A zine is a small volume of self-published work, with a small circulation.) Your zine will include:
• Cover: a graphically-interesting cover with an original title
• Page 1: a title page with a creative title and publisher name (you!)
• Page 2: a copyright notice (ie.© 2009 Josephine Jones)
• Page 3: a table of contents that lists poems and the techniques used in each (see example on back of this sheet)
• Pages 4-?: poems (one per page, unless they are especially long or short)
• Works cited page with MLA citations for any images or poetry not your own
• Back cover with a picture of you and a brief anthologist biography.
Your zine may be word-processed, or carefully hand-written and then photocopied. You are encouraged to include illustrations and/or designs. (Think about printing some extra copies of your book—your parents, aunts, uncles, grandparents would be pleased to get a copy!)

Scoring Guide:
Contains 6 poems 2 reflections, and 1 analysis – as specified above _____/15
Strong use and explanation of poetic devices _____/10
Contains one each of the specified forms/techniques (free verse, imagery, etc.) _____/10
Contains a graphically-interesting cover with an original title _____/10
Contains a MLA formatted works cited page for appropriate content _____/10
Contains a title page, copyright notice, a table of contents, and bio/photo _____/10
General appearance, effort, creativity _____/5
Sample Table of Contents:

Table of Contents

1. South Africa Final Project Poem “Transformation”…...……..1

2. South Africa Final Project Poem Reflection …………....……..2

3. “I Believe In…”…………………………………………………..4
This poem uses a symbol—the honeybee—and also repetition, alliteration and ABAB rhyme scheme. These techniques enhance the message that work should be a labor of love. The honeybee is a popular symbol for work; the alliteration using the letter “l” creates the light, loving tone when the poem addresses the idea of work, and the rhyme scheme creates a playful reading, which helps create the idea that work done lovingly can and should be fun!
Etc.


Checklist: In my Zine, do I have…. ____ South Africa Final Project poem
____ South Africa Final Project reflection
____ Two poems about topics/issues of my choice
____ Presentation Poem
____ Presentation Poem Analysis
____ Published Poet Poem
____ Published Poet Poem Reflection
Among the above poems, do I have…
____ One poem one poem written in free verse -
____ One poem with a set rhyme scheme
____ One poem rich in imagery (senses: taste, touch, smell, etc. OR natural images) ____ One poem that uses symbolism (an object that stands for a larger idea, issue, etc.)

Which poetic devices have I used? ____ alliteration ____ assonance ____ rhyme ____ metaphor ____ meter/rhythm ____ onomatopoeia ____ repetition ____ simile

Publishing: Do I have… ____ Cover with graphically interesting image and title
____ Title page with author name and title
____ Copywrite notice
____ Table of contents listing form, title, and poetic techniques
used & why
____ One poem per page, neatly and creatively presented
____ Works cited page for all poems and images not my own –
done in MLA format
____ Back cover with my photo and biography

**********************

Wednesday, April 1, 2009

Wed. 4/1/09

4/1/09 - Wed.

Homework:
Due Fri. Soweto Rd. Assignment #1-9

Collected Today:
1. This I Believe Essay in this order:
a. Green Grading Rubric
b. Final Draft
c. Draft #2
d. Draft #1
e. Brainstorming and Outlining Sheet

2. Belief Statements Tracking Sheet (classwork from South Africa unit)

---for people who didn't turn them in last time:
1. Vocab. Review sheet (crossword and reminders chart on back)
2. South Africa Quiz and Amandla! notes

************************
POETRY 101 To truly understand poetry one must take their time with it, one must read a poem
multiple times, and ask themselves many questions about the poem to try to get to a deeper understanding
of the poem.

It may be useful to know that most poets spend countless hours and days and months and sometimes
years writing one poem—most poems aren’t written, fully formed in one sitting. Therefore you shouldn’t
expect to understand a poem in one simple read through.

The following information gives you suggestions for how to learn to dissect the meaning of poetry step by
step… but don’t be too hard on yourself if it’s hard for you, like so many things we get better at analyzing
poetry the more we do it.

BASIC DIRECTIONS FOR HOW TO READ A POEM:

Before You Read
Author and Context: Notice as much about the context and what you know about the subject and poet as
you can. Who wrote the poem? Where is (s)he from? When was the poem written? What was going on in
the world or in that person’s life at the time? Make a prediction about how the context might be linked to or
included in the poem.

Title: Ponder the title. Predict what the poem may be about before you begin reading.

While You Read
First Read: Read straight through the poem one time, marking words that you don’t know, or phrases that
are confusing to you. Look up words that you don’t understand in the dictionary, and spend some time trying
to figure out what the confusing phrases might mean by looking at the phrases you do understand in the
poem. Now jot down your first reactions to the poem.

Paraphrase: Now re-read the poem to try to understand what the literal meaning is. This is simply the basic
‘story’ of the poem, or the ‘what’s going on.’ Jot down short observations about the literal meaning for each
line, stanza or a couple of sentences at the end of a short poem summarizing its literal meaning.

Connotation: Re-read the poem for a third time. This time you are asking yourself for the meaning of the
poem beyond the literal, beyond the basic story. Mark words, phrases and images in the poem that give
hints and suggestions of a deeper meaning. It often helps me to ask the question ‘what might the author be
trying to tell me, but not just coming right out and saying?’

Tone and Mood: Observe the speaker’s attitude (mood) and voice (tone). Does the poem seem cynical,
angry, calm, humorous? Then decide how this affects the poem’s meaning.

Devices: Now look at the poem from a technical perspective (think car mechanic of poetry). Examine and
mark all poetic devices you see (see the back of this sheet for some). Write how these devices create or
emphasize meaning and effect; what do they do for the greater understanding, mood or tone of the poem?

Shifts: Now pay particular attention to how the poem moves from one idea to another. Trace the changes
that occur in the poem. Mark the following to note where the shifts may happen; transitional words (like ‘but’,
‘yet’ and ‘however’), punctuation, structure (the end and beginnings of stanzas, first lines and last lines of a
poem, etc), form (if it’s a free verse poem – with no set structure - are any words set apart?) and any other
elements that seem to indicate a change in the poem.

Title: Now look at the title again. See if you can interpret a deeper meaning than you could the first time you
looked at it. Jot down any new ideas you have.

After You Read
Theme(s): Write a one sentence plot summary of the poem (one sentence that summarizes what happens
in the poem). Then, make a list of subjects brought up during the poem (topics being discussed or
observed). Finally, write a short idea (a complete sentence) of what the speaker is saying about each of the
subjects; this list of sentences is your list of themes.

************************
Poetic Devices that are important right now…

Alliteration: repetition of the initial consonant sound
i.e. Dry dogs don’t drown.

Sibilance: repetition of the ‘s’ sound
i.e. Sally saunters on the seashore

Assonance: repetition of vowel sound
i.e. It felt like going out on a cloud in the South.

Figurative Language: words expanded beyond their usual, literal meaning (often includes simile, metaphor, and personification)

Onomotopoeia: words that sound like what they mean
i.e. buzz, slush

Personification: giving inanimate objects human qualities
i.e. The sky muttered thunder and some sad drops

Symbol: something concrete that stands for something else


Simile: A comparison between two things that uses the words ‘like’ or ‘as’
i.e. ‘her tears fell like rain’

Metaphor: A comparison made by describing one thing as another
i.e. The march of the army was a drumbeat heard throughout the country.

Rhyme: the musical quality of a poem
i.e. bed-head, sad-mad-glad… you get the idea

Rhyme Scheme: Ending Rhyme is the most prolific rhyme scheme used.
i.e. All in a hot and copper sky, A
The bloody Sun, at noon, B
Right up above the mast did stand C
No bigger than the Moon. B

Meter: the patterned repetition of stressed and unstressed syllables in a line

Stanza: a group of lines in a poem, like paragraphs in a piece of prose writing

Verse: a line of poetry


************************
Global Literature Name: _______________________
South Africa Unit - “Soweto Road” 20 points

Using the techniques for how to read a poem from your “Poetry 101” Handout, analyze the poem “Soweto Road”. This is a challenging poem, so expect to read it several times, and really dig deep for understanding.

Mark “Soweto Road” by Lindiwe Mabuza for the following elements:

1. Author and Context: Make a prediction about how the context might be linked to or included in the poem.

2. Title: write literal and deeper meanings of the title.

3. First read: Mark words and phrases you don’t know with definitions for the words, and an educated guess about the meaning of the confusing phrases

4. Second read: On a separate sheet of paper, summarize the literal meaning of the poem in 4 sentences or less.

5. Third read: Mark words, phrases and images that hint at deeper meaning in the poem and write in what you think they might be hinting at.

6. Comment on the mood and tone of the poem- and where that mood or tone changes

7. Now take different colored pencils and mark the poem for the following (giving me a key of what each color stand for): alliteration, sibilance, assonance, rhyme, similes, metaphors, and figurative language. Then comment on what you think patterns of these poetic devices does for the greater understanding of the poem (read devices on “Poetry 101” for help with this).

8. Once your poem is all marked up, go back to your poem and read it one last time. See if there are any other questions or answers that come up for you in this final read and mark them down on the poem.

9. Figure out what at least two main themes in the poem are by using your “Poetry 101” handout and jot them down on the poem.

10. Finally, write one short paragraph (at least 5 sentences) that tells 1- what you think the main meaning of the poem is, 2- what main themes are present in the poem and how do they affect the meaning? 3- how the use of poetic devices supports the main idea or theme of the poem 4- comment about how one poetic device affects the meaning of the poem 5- and comment on a second poetic device and how it affects the overall meaning of the poem.



Historic Note: The Soweto Riots of 1976

The Soweto riots of 1976 were the most brutal and violent riots that had taken place against the South African apartheid administration. It was also amazing in how far and how fast it spread. Its significance would go beyond the violence on the streets. The police actions during the riots would be part of what instigated a world-wide boycott of South African produce and signaled the increased militancy of the black population of South Africa.

During a reorganization of the Bantu Education Department of the government, the South African apartheid government decided to start enforcing a long-forgotten law requiring that secondary education be conducted only in Afrikaans, rather than in English or any of the native African languages. This was bitterly resented by both teachers and students. Many teachers themselves did not speak Afrikaans (an extremely difficult language to learn) and so could not teach the students. The students resented being forced to learn the language of their oppressors and saw it as a direct attempt to cut them off from their original culture.

By 1976, several teachers were ignoring the directive and were fired, prompting staff resignations. Tensions grew. Students refused to write papers in Afrikaans and were expelled. The students of one school after another went on strike. The government response was to simply shut the down schools and expel the striking students.

A protest march was organized in the black Soweto township just outside Johannesburg on June 16 1976. Over 20,000 students turned up to the march, followed closely by the police. The regular day-to-day tension between blacks and the apartheid regime’s police force was coupled now with the anger directed at the recent education act. Conflict began almost immediately, as police fired round after round of tear-gas and then guns into the crowds. The police showed no mercy attacked students of all ages, armed or unarmed. In the book, Kaffir Boy, a young boy called David described the police’s actions on the first day of the riot:

"They opened fire. They didn’t give any warning. They simply opened fire...And small children, small defenseless children, dropped down like swatted flies. This is murder, cold-blooded murder".

The riots began to spread all over the South African townships (squatted villages, often just outside main industrial areas, lived in by black workers) as years of built up anger and bitterness at the brutal apartheid government exploded. Realizing the scale that these riots were happening on, the government reacted in the way any government would: with the full use of organized violence. After days of not being able to enter them, anti-riot units along with armed vehicles and personnel were sent to Soweto and other townships. Meetings were stopped and activists were harassed. For instance, the radical black consciousness activist Steve Biko was ‘banned’ meaning he was stopped from making speeches in public and was not allowed to be quoted in print. In the end, due no doubt largely to his disregard for this law, he was killed by the police in a brutal beating.

But regardless of their actions, the government could not stop additional protests. After Soweto, an uprising or march would take place almost every day, often completely spontaneously. Young blacks expressed their anger at apartheid by marching, rioting and setting fire to government property.

Over 360 blacks were killed in the Soweto riots of 1976. The South African government basically declared war on black school children. The government used their full physical force against the students but they did not let up. They carried on fighting and eventually the South African apartheid regime fell. There is only so much that a people are willing to take and in 1976, the black youth of South Africa told the government exactly when they had crossed that line. The Soweto riots signaled the beginning of the end for the racist, colonial state of South Africa.

*********************
Soweto Road

On this spot rough
From cares of slow years
On these streets
muddy from torrents red
on these crooked roads
yawning for direction
here where like early spring
awaiting rain’s seeds
young voices stormed horizons
how yet like summer streams
young blood flowed over
flooded flower
in the dead of winter

On this road here
here this road here
tingles and shudders
from acid taste
the snakeskin snakestooth whiplash road
where snakes tongue flicker lick
broken glass children’s park
road school for shoeless feet…
olympic track perfected
by daily daring sprints
against passes
and barbed wire nakedness…
this road pressed soft
oozing like tear-falls
treeless show-ground for hard-ware
processions

all the June sixteen festivals
and their mad array of hippos
muffling contrary anthems
with machine-gun chatter
naked greed and lust for blood in camouflage
Soweto road drunk
from rich red wine
this sweet arterial blood
for choice Aryan folk…
battlefield road here yes

here
yes even here
where road-blocks to life pile
precariously
here we kneel
scoop earth raise mounds of hope
we oath
with our lives
we shall immortalize
each footprint left each grain of soil
that flesh shed here
each little globe of blood
dropped in our struggle
upon the zigzag path of revolution…
Soweto blood red road
will not dry up
until the fields of revolution
fully mellow tilled
always to bloom again

Lindiwe Mabuza.